New Model Army fit beside (early) Killing Joke and Cult in the post-punk 80s. And like those 2 bands, they've continued making music into their 4th decade.
Out of print, underrated, forgotten music, movies, etc. Check comments for links... full discography, rar, etc.
New Model Army fit beside (early) Killing Joke and Cult in the post-punk 80s. And like those 2 bands, they've continued making music into their 4th decade.
And Also The Trees should appeal to fans of 4AD or early Bad Seeds / Crime & The City Solution, kind of floating between genres. They were around for a decade before disappearing... only to return again... and again.
What more needs to be said about Bjork? One of those rare artists whose albums may be on your BEST list and WORST list.
Front Line Assembly - Bill Leeb & Rhys Fulber - have been astonishingly prolific between FLA, Delerium, Conjure One, and many other side projects and production work.
Delerium began as a side project. Bill Leeb and Rhys Fulber of Front Line Assembly decided to release more ambient/instrumental pieces under the Delerium name. They actually got thrust into the darkwave subgenre, garnering some success. Then on their 1994 album Semantic Spaces, they began utilizing female vocals, pushing the sound in a more ethereal, Enigma-esque direction. The 1997 album, Karma, went further in that direction, producing the surprise hit "Silence" featuring vocals by Sarah McLachlan. The next album continued in the same vein, even featuring Matthew Sweet singing one song.
Rhys Fulber broke away from Delerium to form his own similar-sounding project, Conjure One, using some of the same singers who featured on Delerium's albums.
I've seen the term "enigmatic" to describe the slew of artists who came up after Enigma scored a couple hits. I've also heard the terms worldbeat & ethno electronica... basically music that really doesn't fit into the "new age" category because it may be a bit too beats-oriented or eclectic or even dark. Whatever the term, I ate this stuff up. Perfect for a lazy summer afternoon on the terrace.
Hüsker Dü or Dü not, there is no try. From Minnesota, like fellow punks the Replacements. But unlike Westerberg, Bob Mould never really strayed too far from his original sound. There are some very melodic gems buried under layers of distortion in the HD catalog. Even a move to a major label didn't change their sound... which was unfortunate in that they had the same crappy drum sound their whole career.
All links and posts now updated. Unavailability problem seems to be fixed for those countries who were previously blocked.
Lots of posts have been updated recently, too many to list, so have a look around maybe you'll find something new.
Have a good weekend!
I definitely went backwards on Gavin Friday's discography. I really liked "Shag Tobacco" and then discovered the Virgin Prunes, who fit the "art rock" subgenre label to a T.
Anita Lane was around the early Bad Seeds, co-writing some songs and collaborating with some of that crowd. A footnote in the grand scheme? Maybe but there was always something alluring about her solo work, which sounds like a more avant garde Mazzy Star.
Modern English scored with the mega-hit "I Melt With You," but they were also known for darker fare on their early releases.
XTC have been brilliantly crafty and annoyingly quirky... sometimes in the same song. But they made some truly classic songs of the late '70s , '80s, and beyond.
Two former members of The (English) Beat hook up with smooth-voiced singer Roland Gift and produce pop gold. Slick but enjoyable.
The Black Angels are a retro psychedelic band. Taking their musical cues from the 1960s, adding some 90s rock elements and whizz-bang, a sound steeped in nostalgia but also very fresh.
Caspian's mix of post-rock and shoegaze hit its peak with "Dust And Disquiet" from 2015. Highly recommended.
The Cars were anything but an overnight success. Ric Ocasek and Benjamin Orr had been kicking around in various bands for 10 years before forming The Cars. Ocasek actually released more solo albums than with The Cars and was a sought-after producer, helming albums for Alan Vega & Suicide, Bad Religion and Weezer, among others.