While their first few albums may have fit the Indie Rock label to a T, the more recent albums have introduced a gospel element, making for a very unique sound.
Out of print, underrated, forgotten music, movies, etc. Check comments for links... full discography, rar, etc.
While their first few albums may have fit the Indie Rock label to a T, the more recent albums have introduced a gospel element, making for a very unique sound.
The House Of Love were one of those bands who bridged the gap between '80s new wave and '90s indie rock. A little Britpop, Alt rock, and shoegaze mixed together.
I remember in the mid-80s when RHCP and Fishbone would play every Friday at the Roxy on the (now-gone) Sunset Strip for $4. Back then, who would've thought...
Of Monsters And Men hail from Iceland and the fact they can't be compared to Bjork/Sugarcubes despite having a female singer is quite refreshing. Their sound has gone from an acoustic-based rock songs to more electronic-oriented pop sound.
The Fixx is a British band that oddly found little success in their homeland, but scored multiple hits in the US. Those hits have often overshadowed that their first few albums were really stellar post-punk works.
The Enemy's first two albums were Brit-pop with punky energy and catchy tunes. Their third album, however, was something much more emotive, with soaring melodies and a grand, sweeping kind of feeling. They promptly broke up after that album, leaving it one of the decade's unheard classics.
To look at John Grant, you may imagine some kind of rustic, folksy music. Instead, he uses 70s era electronics, 80s new wave, and his malleable voice to create something entirely its own. Sometimes experimental, almost avant garde, other times very danceable pop tunes.
Chvrches is a synthpop band from Scotland who have successfully taken the sound of the '80s into the present.
In the same way that Interpol wore their Joy Division influence on their sleeves, so do White Lies clearly owe a huge debt to Tears For Fears... without really sounding LIKE them, outside of the vocal similarities or the occasional guitar lick.
David Sylvian started as the singer of Japan in the early '70s. After they broke up in the early '80s he continued on as a solo artist. And he's still going. Many of his recordings are instrumental/ambient/experimental. His first album or 1999's Dead Bees On A Cake are good starting points for fans of Japan.